Artist Statement

To express the essence of springtime at Pembroke Savanna, I placed the lens just inches from the ground and only five inches from the closest foreground subjects. Then, I waited for the low light of evening to visually separate the subject matter and help to convey the wonder and elation that I was feeling.

To express the essence of springtime at Pembroke Savanna, I placed the lens just inches from the ground and only five inches from the closest foreground subjects. Then, I waited for the low light of evening to visually separate the subject matter and help to convey the wonder and elation that I was feeling.

In 1993, I began photographing Chicago nature as a form of self-expression. Over the years, I’ve grown into conservationist, using photography, writing, and public speaking to help Chicago nature express its beauty and importance to humankind. My hope is to inspire people to discover the great outdoors and to transform mindsets with the goal of fostering a new era of biologists and botanists, nature-minded voters and volunteers, and environmentally-friendly business and political leaders.

Within just fifty miles of downtown Chicago, there is more protected natural area than most national parks and more native plant species than any national park. Every day, April through September, you can witness a world-class wildflower blooming event happening right down the road from home, work, or school. Unfortunately, most Chicagoans are unaware. And because you can’t love and support something that doesn’t exist, I’ve made it my mission to play “nature matchmaker”—to introduce Chicagoans to the gorgeous nature next door and to spark thousands and thousands of love affairs.

In contrast to the mountains, Chicago’s panoramic splendor relies on in its ever-changing displays of wildflowers that decorate the prairies. Yet, unlike closeup images of flowers and butterflies that accentuate the individual, a landscape photograph has the power to convey the full experience of the place these individuals call “home”—within a community that Chicagoans call “home.”

Ansel Adams used the limited technology of his day to depict the towering topography by casting the mountain backdrop as the star of the show. However, this approach quickly breaks down when used to portray the visual depth and grandeur of the prairie and its flourish of flowers that expands to the horizon. Inspired by Chicago’s prairie panorama, I developed an immersive, hyper-realistic compositional approach that I call The Chicago Style. It accentuates the depth of any vista by emphasizing the foreground, while also communicating the essence and emotion of the experience.

Tolstoy defined art as the transfer of emotion from one person to another—a connection of heart to heart. Like a musician’s feelings of joy and despair etched into the mysterious grooves of a phonograph record, I aim to record my passion into the pixels: my feelings on film, my emotion on emulsion, my senses on the sensor.

Unlike children and wide-eyed animals, the landscape has no eyes to its soul, no straight glimpse into its heart. Yet, in a quest to give nature a voice, its mysteries have inspired me to create immersive landscape images that conjure emotion. I have surrendered myself to the wonder of nature and have fallen forever under its spell.


I created The Chicago Style of Landscape Photography to communicate the richness, texture, and dimensional dynamism of the topographically flat Chicago prairie, one that closely emulates the way humans experience the world. I call it “Optical Eye/Mind’s Eye.” At first, we use our optical eye to widely view the scene as a whole, just as a lens takes in everything without discriminating. Then we hone in by directing our full attention on various subjects in the scene. No matter how small, these subjects become magnified in our mind. To recreate the experience, I use a process that fuses the wide perspective of landscape photography with the deep, immersive feel of macro photography. Spacious landscape images are rendered with simultaneous depth and intimacy that give the viewer a hyper-realistic sense of being part of the scene.

By means of focusing at the hyperfocal distance at a large f-stop, I place a (low-magnification) super-wide angle lens just inches from the foreground subjects. This propinquity dramatically restores the magnification of subject matter closest to the camera while maintaining acceptable sharpness into the distance. To further increase the hyper-realistic feel of the photograph, I often take advantage of “glancing light”—the soft, low, side-lighting from an early-morning or late-afternoon sun—to visually separate the subjects and convey fine details. Any softness caused by diffraction is rendered insignificant using digital post-processing.

The Chicago Style also includes a step-by-step introspective process for communicating emotion that embeds the photographers passion into the pixels.

Read Mike’s Biography.


Watch story about Mike & ChicagoNatureNOW! on WTTW Chicago Tonight.
Watch Mike’s interview about his book on WTTW Chicago Tonight.
Watch Mike talk about Chicago nature photography on ABC 7 Eyewitness News Sunday Morning.
Watch Mike give photography tips on Fox 32 Chicago’s Good Day Saturday.
Watch Mike share his love of nature on WGN-TV Midday News.
Watch Mike’ talk about Chicago nature on CBS 2 Chicago’s Sunday Morning News.

Listen to Mike’s interview about winter magic in Chicago nature on WBEZ’s Morning Shift – Jan. 7, 2019.
Listen to Mike’s interview about his book on WBEZ’s WorldView – Feb. 8, 2016.
Listen to Mike’s interview about ChicagoNatureNOW! on WBEZ’s Worldview – Apr. 18, 2017.
Listen to Mike talking about Chicago nature on WBEZ’s Morning Shift – Oct. 17, 2016.
Listen to Mike talking about photography on WCGO-Radio – Dec. 2, 2018.

Daily Herald – Jan. 17, 2019
The Herald News – Dec. 6, 2018
Make It Better magazine – Aug. 5, 2016
Chicago Sun-Times – Mar. 26, 2016
Chicago Tribune – Jan. 17, 2016

View some of Mike’s published work:
Outdoor Photographer – March 1997
Petersen’s Photographic – October 1999
UIC Alumni Magazine – July/August 2000
Chicago Wilderness – Fall 2005
Chicago Wilderness – Winter 2006
Garden’s Illustrated cover photo – January 2009
Outdoor Photographer – November 2011