Artist Statement

To express the essence of springtime at Pembroke Savanna, I placed the lens just inches from the ground and only five inches from the closest foreground subjects. Then, I waited for the low light of evening to visually separate the subject matter and help to convey the wonder and elation that I was feeling.

To express the essence of springtime at Pembroke Savanna, I placed the lens just inches from the ground and only five inches from the closest foreground subjects. Then, I waited for the low light of evening to visually separate the subject matter and help to convey the wonder and elation that I was feeling.

In 1993, I began photographing Chicago nature as a form of self-expression. Over the years, I’ve grown into conservationist, using photography, writing, and public speaking to help Chicago nature express its beauty and importance to humankind. My hope is to inspire people to discover the great outdoors and to transform mindsets with the goal of fostering a new era of biologists and botanists, nature-minded voters and volunteers, and environmentally-friendly business and political leaders.

Within just fifty miles of downtown Chicago, there is more protected natural area than thirty-four of the fifty-nine national parks and more native plant species than any national park. This means that every day, April through September, you can witness a national-park quality wildflower blooming event right down the road from home, work, or school. Unfortunately, most Chicagoans are unaware. And because you can’t love and support something that doesn’t exist, I’ve made it my mission to play “nature matchmaker”—to introduce Chicagoans to the gorgeous nature next door and to spark thousands and thousands of love affairs.

Chicago’s panoramic splendor relies on in its ever-changing displays of wildflowers that decorate the prairies and woodlands throughout the year. Yet, unlike closeup images of flowers and butterflies that emphasize the individual, a landscape photograph has the power to convey the full experience of a place that these individuals call “home”—in a place Chicagoans call “home.”

In 1927, Ansel Adams published his first portfolio of the American West containing images of the High Sierras. His technique used the technology of the day, the view camera, to depict the towering topography by casting the mountain backdrop as the star of the story. Over the years, this long-established method of emphasizing the background has been universally applied to the photography of all types of terrain. However, the approach quickly breaks down when used to portray the visual depth and grandeur of the prairie (or any level landscape). In the little-known and rarely photographed prairie, the story is intimate. It begins at your feet in a flourish of flowers and expands into a distant horizon. In the prairie, the foreground bouquet is truly the star of the scenic show.

Inspired by Chicago’s prairie panorama, I developed The Chicago Style—an immersive and hyper-realistic system of composition that can accentuate the depth of any vista. It expands the traditional approach by allowing me to also emphasize the foreground, while adding steps for communicating essence and emotion.

Tolstoy defined art as the transfer of emotion from one person to another. A connection of heart to heart. Like a musician’s feelings of joy and despair etched into the mysterious grooves of a phonograph record, I devised an introspective method for recording my passion into the pixels: my feelings on film, my emotion on emulsion, my senses on the sensor.

Unlike children and wide-eyed animals, the landscape has no eyes to its soul, no straight glimpse into its heart. Yet, in a quest to give nature a voice, its mysteries have inspired me to create immersive landscape images that conjure emotion. I have surrendered myself to the wonder of nature and have fallen forever under its spell.


In an effort to capture the richness, texture, and dimensional dynamism of the topographically flat Chicago prairie, I created a system called The Chicago Style that gives the viewer an immersive visual experience. It is an intimate and deeply engaging style that fuses landscape photography with the immersive feel of life-size macro photography. Using this system, landscape photographs are rendered with tremendous detail and dimensional depth, giving the viewer the hyper-realistic sense that they are part of the scene.

By means of focusing at the hyperfocal distance at a large f-stop, I place a (low-magnification) super-wide angle lens just inches from the foreground subjects. This propinquity dramatically restores the magnification of subject matter closest to the camera while maintaining acceptable sharpness into the distance. To further increase the hyper-realistic feel of the photograph, I often take advantage of “glancing light”—the soft, low, side-lighting from an early-morning or late-afternoon sun—to visually separate the subjects and convey fine details. Any softness caused by diffraction is rendered insignificant using digital post-processing.

The Chicago Style also includes a step-by-step introspective process for communicating emotion that embeds the photographers passion into the pixels.

Read Mike’s Biography.

Media Appearances:

Watch Mike’s interview about his book on WTTW Chicago Tonight.
Watch Mike talk about Chicago nature photography on ABC 7 Eyewitness News Sunday Morning.
Watch Mike give photography tips on Fox 32 Chicago’s Good Day Saturday.
Watch Mike’ talk about Chicago nature on CBS 2 Chicago’s Sunday Morning News.

Listen to Mike’s interview about his book on WBEZ’s WorldView.
Listen to Mike’s interview about ChicagoNatureNOW! on WBEZ’s Worldview.
Listen to Mike talking about Chicago nature on WBEZ’s Morning Shift.
Listen to Mike talking about photography on WCGO-Radio.

Read article in The Herald News.
Read article in Make It Better magazine.

View some of Mike’s published work:
Outdoor Photographer – March 1997
Petersen’s Photographic – October 1999
UIC Alumni Magazine – July/August 2000
Chicago Wilderness – Fall 2005
Chicago Wilderness – Winter 2006
Garden’s Illustrated cover photo – January 2009
Outdoor Photographer – November 2011